NPR Opinion on "Nutcracker"
#1
Posted 09 December 2005 - 09:29 PM
#2
Posted 09 December 2005 - 10:17 PM
http://www.npr.org/t...storyId=5046837
Thank you, dazedandconfused, for bringing it to our attention.
This is a link to an audio download page on the NPR site, and it requires Windows Media Player or Real Player in order to listen to it.
The reason I put moved this thread to "Issues in Ballet" instead of "Ballets" is that I think that at least part of the issue is how dismissive and mocking people in media can be, especially when they think they are being funny. And while "All Things Considered" doesn't have the audience numbers of say, Rush Limbaugh, I am guessing that the NPR demographic is close to people who are open to the arts.
Any comments on the piece?
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[end Off Topic]
#3
Posted 10 December 2005 - 02:35 AM
Thanks.
#4
Posted 10 December 2005 - 03:29 AM
#5
Posted 10 December 2005 - 07:16 AM
#6
Posted 10 December 2005 - 08:44 AM
Helene, on Dec 10 2005, 08:17 AM, said:
I see this piece as a sign that the U.S. over-marketing of Nutcracker as "a holiday tradition" is reaching a saturation point. I'm sure marketing people think they are being very clever. I mean if you're going to have synergy with another event, what's more well publicised or feel good than Christmas, right? Short answer: no. It creates a serious branding problem.
The intention of all the Nutcrackers is obviously to fill the theater, pay the bills on the short term and introduce some members of the audience to ballet, so they'll come again. But what happens in the mind of the audience is this:
"FACT 1: There are kids on the stage, in the audience and this is a children's story" => "Nutcracker is a kiddie ballet"
AND
"FACT 2: Nutcracker is the only ballet I know"
=> "Ballet is for kids".
On the long term ballet as a brand is associated with kids. Most of the adult audience will come again only for Nutcracker, therefore creating a vicious cycle where more Nutcrackers have to be performed to survive financially.
Another point she makes is that watching mediocre dancers is not that fun for the untrained eye. This is a good point. Contrary to what you'd expect, the less you know about ballet the more unlikely you are to enjoy a bad performance. It takes knowledge to separate the specific performance from the ballet and you must already be interested enough to make the effort to disregard the mess and search for what is beautiful.
The funny (and sad) thing is, living in Europe and having seen more than my fair share of gimmicks and novel ideas, not one of the "outrageous" ideas she proposed at the end seemed outrageous to me. Nutcracker with scateboarders? No, but I have seen Coppelia with footballers... and as far as these things go, it was rather good...
Perhaps what this commendator needs is Pina Baucsh. A few hours with Pina and she'll learn to appreciate the simple things in life.
#7
Posted 11 December 2005 - 06:48 PM
chrisk217, on Dec 10 2005, 09:44 AM, said:
Helene, on Dec 10 2005, 08:17 AM, said:
I see this piece as a sign that the U.S. over-marketing of Nutcracker as "a holiday tradition" is reaching a saturation point. I'm sure marketing people think they are being very clever. I mean if you're going to have synergy with another event, what's more well publicised or feel good than Christmas, right? Short answer: no. It creates a serious branding problem.
The intention of all the Nutcrackers is obviously to fill the theater, pay the bills on the short term and introduce some members of the audience to ballet, so they'll come again. But what happens in the mind of the audience is this:
"FACT 1: There are kids on the stage, in the audience and this is a children's story" => "Nutcracker is a kiddie ballet"
AND
"FACT 2: Nutcracker is the only ballet I know"
=> "Ballet is for kids".
On the long term ballet as a brand is associated with kids. Most of the adult audience will come again only for Nutcracker, therefore creating a vicious cycle where more Nutcrackers have to be performed to survive financially.
Another point she makes is that watching mediocre dancers is not that fun for the untrained eye. This is a good point. Contrary to what you'd expect, the less you know about ballet the more unlikely you are to enjoy a bad performance. It takes knowledge to separate the specific performance from the ballet and you must already be interested enough to make the effort to disregard the mess and search for what is beautiful.
To which I would reply, "Exactly." "White hot" entertainment is not what The Nutcracker or Sleeping Beauty or Swan Lake or Agon is supposed to be. A performance of The Nutcracker with skateboarders and a car befitting NASCAR might make Simon Cowell happy, but it would make me want to hurl.
**Because your points are important ones and warrant a thread of their own, I've split off bart's response to your post -- which quotes all of your main points -- and created a new thread here:
http://ballettalk.in...showtopic=21188
#8
Posted 12 December 2005 - 05:03 AM
#9
Posted 12 December 2005 - 09:03 AM
I have heard this kind of I'm-hipper-than-thou stuff for so many years (most of my life actually) that one thing is for sure: this is not hip.
However I have no doubt some people at NPR thought it was reall racy.
Other than that it is pretty obvious US ballet companies have made themselves much too dependent on the Nut. Imagine how much more exciting it would be if companies put on a Nut every two or three years. In that case it wouldn't be such a grind.
#10
Posted 12 December 2005 - 10:52 AM
For the most part, NPR stations are quite pro-arts. In Seattle, KUOW runs a weekday arts and culture show in the afternoon, with a mix of studio interview and prepared pieces. (This week there's a series on public art running on the national morning show that originated here -- listen for Marie Sillman) Although music and theater get more airtime than dance, the coverage is generally smart and positive.
I didn't get a chance to hear the negative commentary that starts this thread, but I've certainly heard many others like it. It's snarky and funny, and a popular kind of essay whatever its actual topic. (I've heard it recently about graduation speeches, blogs, student theater and holiday cards -- "once is hard enough and more is infinitly more awful") Although it's never fun to hear people expose their ignorance about dance, I'm not as concerned about the long-term affect of this particular essay.
On one level I have some sympathy with the commentator's points (as I understand them from the excerpts here), but I think those thoughts belong in the other Nut thread, so I'll slide over there.
#11
Posted 13 December 2005 - 07:17 AM
On the whole, I thought as commentary it wasn't terribly interesting. Sandik's comment was spot on: it fell into that "trash the ..." genre, without enlightening us at all. In fact, it just felt a little grinchy and mean-spirited. (For our non-English speakers, "grinchy" refers to a children's book called "How the Grinch Stole Christmas" by Dr. Seuss.)
Still ... there's little question that Nutcracker is overdone in this country. Not only does every company big and small mount a production, the music cannot be escaped. It's little wonder she feels saturated. I think her main issue, though, was that it isn't very entertaining, which I take to mean as there's no discernable character development or plot to whet the intellectual appetite, and no whiz-bang technical novelties to arouse the passion. "All" there is is art -- perhaps that's just too subtle for her to appreciate.
However, there is a lot to be said for family traditions, and as traditions go, attending the Nutcracker each year is a pretty good one for the right sort of kid. Tanya Barrientos sounds like she is way too young to have kids, so she might not appreciate this aspect.
#12
Posted 19 December 2005 - 05:15 PM
Granted, ithe editorial was only one person's opinion, but it got to me. I wrote to the NPR Ombudsman and told this person that I didn't know which was harder, seeing the look on my daughter's face as she listened to this sad commentary or seeing the pain in her face as she soaked her blistered feet after 4 hours of nightly Nutcracker rehearsal.
Sorry to get on such a soapbox, but I'm so disappointed. We here in San Antonio try and try and TRY to get more publicity for the arts (basically, our symphony is the only arts entity in town or so it would seem), and then these kinds of opinions are broadcast over the airwaves. We opened a vein for this community during our 5 performances (one of which was basically a freebie to the local school community) and if our ballet company cleared $5000, it will be a blessing.
Sorry for the rant, but after our dancers pulled off such spectacular performances, to consider that we basically "met expenses" saddens me to the point of despair.
#13
Posted 19 December 2005 - 08:35 PM
On the other hand, it is still maintaining a higher standard than its tv cousin, PBS, who seems to think Sarah Brightman and her ilk are the immortals of our age
#14
Posted 04 January 2006 - 10:32 AM
I was quite honestly stunned that this opinion piece came from a former dancer. Anyone else have an opinion?
#15
Posted 04 January 2006 - 01:09 PM
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