BARONOVA AutobiographyAnyone reading it? Read it?
Posted 06 January 2006 - 09:55 PM
i just dipped into it, in more or less the middle, and then near the end, last night. and was a bit staggered to see that the whole book covers her life up to some time in 1967 when her (second) husband, cecil tennant, died. the ensuing 38 years are covered in approximately one and a half pages, in which she basically states that she doesn't want to recall all that time of her life, since she lost him.
she is now 86 years old, and living in a lovely part of coastal australia, with her daughter. i met Baronova a couple of times - once in england and once in australia - and have the utmost respect for her. but this approach - which obviously one ALSO has to respect and have sympathy for - is strikingly wierd, wouldn't you say?
and disappointing when one wants to learn about people and how they deal with their lives - especially the hard parts.
another section which i read last night, described her (2nd) husband's proposal, with his (several days later) totally UNexplained insistence that she must give up ALL her ties to ballet, and all her ballet friends, if she was going to marry him. he gave her 48 hours to decide! without explanation. and she accepted that. and accepted him.
i guess it WAS 1949...but still...
a review i read described the book as "not reflective" - i guess that's true!
Posted 07 January 2006 - 08:27 AM
For a start, I always dutifully pencil in the date of death, when a dancer passes away, in my Koegler. There I have noted that Irina Baronova died in 2002. She probably lives somewhere else now, but certainly not in Australia!
Furthermore that her husband did not want her to have anything to do with the dance world. First I think it is preposterous, if any presumptive husband - or for that matter a friend - laid down such laws to me, I would kick that person right out of the door, even if he was stinking rich. Well, that was merely a personal aside.
Then, I have a very vivid memory of attending master classes that she held in London, somewhere in Holland Park. That must have been either 1959 or 196o.
Good classes and she looked absolutely stunning. Another stunning person also taking class there was the Canadian ballerina Lois Smith.
Baronova was also a member of the Royal Academy of Dancing and those classes must have been held at the Academy premises.
I cannot possibly have dreamt all this? Or?
Must get hold of that autobiography though.
Posted 07 January 2006 - 09:05 AM
Posted 07 January 2006 - 03:04 PM
Posted 08 January 2006 - 02:08 AM
within a page or 2 of describing this ultimatum, one old ballet friend (tamara finch) gets back in touch with her - just married to the actor peter finch. tennant encourages her to invite the finches over. baronova herself says she regarded this as odd. i haven't read further to see how OTHER old friends were dealt with.
but i HAVE read the bit that says she started to do barre at home, as was her daily custom, the next day - and then realised with silent tears that there was no longer any need to (do barre), since she had decided to accept tennant's ultimatum, in order to marry him.
bearing in mind that i haven't read much more than this, i HAVE noticed, from the book, that it appears that he died in a car accident approximately 17 years later (1967) - after they had had several children.
at some undefined point, (presumably in the 1960's) she was invited by fonteyn (as president of the RAD) to do several things for them. she tells foneyn that she has promised her husband to have nothing to do with ballet, so fonteyn requests an invitation to lunch, to personally persuade tennant. fonteyn's approach was successful.
14 chapters cover her life from 1920 to 1967 (his death), with "Ballet again" being the first topic of the final chapter (relating fonteyn's RAD & lunch invitations), and his death being the final topic of that SAME chapter.
so that should help to explain some of the points brought up by posters, above - but i can't (yet!!) explain the classes in holland park in 1959 or '60, that pamela moberg mentions...
please give me time to read more!
i don't want to hurry through it, just to satisfy people's curiosity, as i would like to really enjoy the journey...
as far as i can tell at this point, she wrote her book in byron bay, where she lives, in 2005 - so i guess she didn't die in '02...
she has done some radio interviews in australia very recently - just before THIS christmas - to promote the book. i think she might be alive !
Posted 08 January 2006 - 03:59 AM
Posted 08 January 2006 - 05:50 AM
elsewhere at this board, there is a discussion about the ballets russes film. i haven't read it yet, but i notice that, in the book's acknowledgements, baronova writes "on behalf of all my colleagues in Colonel de Basil's Ballet Russe, I extend my immense gratitude to Dayna Goldfine and Dan Geller, for the magnificent documentary they have made on our company and our times Ballets Russes".
i always assumed that both the word Ballet and the word Russe should be plural, in the company's title - as the film is titled (in the quote above), but when Baronova refers to the company (in the quote above), she uses the singular of both words... just an odd thought...
the book is titled "IRINA - Ballet, Life and Love" and is published by Penguin.
Posted 08 January 2006 - 09:55 AM
Posted 08 January 2006 - 12:32 PM
I was thinking of her face and upper body. But I'd love to hear more about her dancing.
Posted 08 January 2006 - 02:32 PM
There is no shortage of beauties among her fellow dancers on the Ballets Russe film site. I've just discovered Rochelle Zide.
I recall a book of photos of dancers published in the 1950s. It included a posed shot of Baronova, and I remember thinking (this is very long ago): She is the most beautiful dancer I've ever seen..
Grace, does Baranova say why her husband made such an unreasonable demand? Jealousy and insecurity?
Posted 08 January 2006 - 03:52 PM
She is the most beautiful dancer I've ever seen.
I see her face every time I turn on my computer---it is a beautiful black and white photograph of Riabouchinska, Toumanova and Baronova in Sylphides costumes in an empty dance studio. I missed seeing her on the ballet stage by about a year. At the time, she was a member of Ballet Theater but left in the early 40's. However, I was determined to see her on a stage. In the late 40's she appeared in a Broadway musical---something called 'Follow the Fleet' or 'Follow the Boys'--it starred Jackie Gleason . I don't recall the story line--but she did wear a classical short tutu.
Posted 08 January 2006 - 05:28 PM
Posted 08 January 2006 - 07:00 PM
Posted 08 January 2006 - 10:34 PM
In Tony Palmer's documentary Margot one of Roberto Arias' female relatives says that it was remarkable for a Latin man in the 60's to allow his wife to work after marriage. I suppose it was very enlightened to allow one's wife to fund one's political campaigns and lifestyle and to be on the road enough not to be an interference, but as his relative said, it wasn't standard behavior. (Reading Henry James and Edith Wharton, it sounds like standard behavior was finding an heiress of industry.)
Well, recall the similar demand Julian made in The Red Shoes. Back in the day, it was often considered shameful for wives to work, especially "on the stage."
Posted 09 January 2006 - 09:29 AM
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