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  1. Standards and criteria (1 reply)
  2. Making Ballets out of Operas (0 replies)
  3. Remaking the Classics, Round 5 (6 replies)
  4. Classical/Contemporary, Round 10 (7 replies)
  5. Are ballet companies too big or staff too small? (12 replies)
  6. Is anything vulgar (in dancing) today? (33 replies)
  7. Vulgarity and decorum? (8 replies)
  8. Problematic Classic? (5 replies)
  9. The Ballerina is Dead, Long Live the Danseur? (9 replies)
  10. Company style versus choreography: where's the line? (6 replies)
  11. What difference does the music make, anyway? (9 replies)
  12. Monsters at the Ballet! Is Ballet ever scary? (19 replies)
  13. Suspension of belief (5 replies)
  14. "In the Imagination of the Audience" (3 replies)
  15. How does something become dated? (9 replies)
  16. Unattractive costumes and/or clashing colors? (2 replies)
  17. Changing directors (8 replies)
  18. If you could only keep... (11 replies)
  19. What if all that survived was... (5 replies)
  20. What, if anything, is Western about classical ballet? (11 replies)
  21. Clement Crisp interview on what is wrong with ballet today (20 replies)
  22. The Myth of Genius? (4 replies)
  23. The Ballerina -- A Swan Song? (12 replies)
  24. What is "contemporary ballet"? (11 replies)
  25. Another take on reviving the classics (0 replies)
  26. "Let Us Have the Great Ballets" (9 replies)
  27. Heaven on Earth? (8 replies)
  28. Ballet and its language (3 replies)
  29. ballet is not only sexy, but tough? (6 replies)
  30. Ballet, Accessibility and Mass Culture (0 replies)
  31. Styles and Methods (2 replies)
  32. For a Body Nobody Ever Had -- fashion and aesthetics (16 replies)
  33. So let's talk about provincial and international companies. (17 replies)
  34. classicism through modernism (0 replies)
  35. Provincial Style, International Style (ABT, National Ballets of Cuba a (4 replies)
  36. Kudelka/4 Seasons (2 replies)
  37. Risky dancing (19 replies)
  38. New dancers in a created role (4 replies)
  39. Stars! (6 replies)
  40. "It's in my will that when I die my work won't be performed." (12 replies)
  41. The "ballet isn't serious" question again (3 replies)
  42. "Dancing the Role Tonight will be..." (4 replies)
  43. Differences between Opera and Ballet reviews (5 replies)
  44. Bournonville (and Balanchine) then and now (2 replies)
  45. What is "Provocative"? (6 replies)
  46. Elitism? A case study in Scotland (9 replies)
  47. What is the role of Art in the face of Terror and War? (16 replies)
  48. Story ballets (10 replies)
  49. Is there such a thing as a perfect ballet? (26 replies)
  50. Princes and Poets? (12 replies)
  51. The Top Ballet Countries? (1 reply)
  52. Making Mistakes (9 replies)
  53. When and why do you redesign a ballet? (12 replies)
  54. Modern chor. in ballet competitions (6 replies)
  55. Zimmer on ballet's dead women (16 replies)
  56. Ekaterina N. Geidenreikh (9 replies)
  57. Obscure choreo. question (14 replies)
  58. Gottlieb on ABT and NYCB (27 replies)
  59. Ballet and politics? (13 replies)
  60. Ranking the 20th century ballet choreographers (14 replies)
  61. Ashton (26 replies)
  62. Balanchine centrism? (49 replies)
  63. Balanchine Rep, Robbins Rep (6 replies)
  64. Ballet companies and modern/contemporary dance (37 replies)
  65. on the fence? (2 replies)
  66. adulteration of classics (3 replies)
  67. When should they stop? (21 replies)
  68. Just say NO? (9 replies)
  69. Balanchine's Tchaikovsky Pas de Deux (9 replies)
  70. A fantastic corps? (15 replies)
  71. Internationalization (10 replies)
  72. Where were you sitting ?!*?$ (5 replies)
  73. When comparisons work (3 replies)
  74. Tempo and Ballet Conducting (5 replies)
  75. Partnerships past present and future? (2 replies)
  76. Nationality (5 replies)
  77. Can classical ballet be American? (5 replies)
  78. Important Women in Ballet (24 replies)
  79. Abstraction vs. Representation: is this still an issue? (4 replies)
  80. The "REAL" Thing.... (7 replies)
  81. Girls and Women (7 replies)
  82. When is it "not right"? (9 replies)
  83. Ballet Body image? (10 replies)
  84. Acocella's "Can We Reconstruct a Ballet?" piece (10 replies)
  85. "Classical" and "academic" (4 replies)
  86. Should 19th century ballets be updated? (16 replies)
  87. Body image and the ballet aesthetic (24 replies)
  88. "pretentiousness" in dance (9 replies)
  89. How much explanation do you want? (18 replies)
  90. "Prototypical" American Dancer (24 replies)
  91. Who owns choreography? (9 replies)
  92. division of authority - diminishing a director's discretion (8 replies)
  93. Noble? Classique? Which roles are which? (32 replies)
  94. New choreography??? (14 replies)
  95. Farrell's company (18 replies)
  96. Stravinsky on ballet (0 replies)
  97. Ballet and funding (8 replies)
  98. Why does ABT function like this? (10 replies)
  99. What does a dancer need to become a prima ballerina? (27 replies)
  100. Balanchine outside of New York (17 replies)
  101. Style? (11 replies)
  102. McMillan's "Manon (24 replies)
  103. Virtuosity and grace (15 replies)
  104. Dvorovenko and Ringer - What does a dancer need to continue to grow? (23 replies)
  105. Programming a ballet series (16 replies)
  106. Emploi 2 (28 replies)
  107. Long vs. Short (18 replies)
  108. Emploi (65 replies)
  109. Competitions: Good or Bad? (14 replies)
  110. Heavy schedules and maintaining the choreographer's work (4 replies)
  111. Modernizing the classics (14 replies)
  112. The importance of "substandard" ballet (4 replies)
  113. Coaching or the Lack Thereof (13 replies)
  114. Artistry and male dancers (14 replies)
  115. dancers who trancend bad material (3 replies)
  116. Tudor ballets (3 replies)
  117. The Not Terribly Good Club (6 replies)
  118. Measuring Sticks (7 replies)
  119. Missing Balanchine and Robbins (1 reply)
  120. Fokine ballets (1 reply)
  121. Ashton ballets (2 replies)
  122. Moved: Photography Advice (-- replies)
  123. Moved: Photography on the Web (-- replies)
  124. Moved: Who are your favorite photographers of dance? (-- replies)
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