Two more articles:
May 31 and
June 2 I don't buy the "artistic differences" argument that is being speculated about, e.g. the types of ballets performed--at least, not much. I'd guess it was more a conglomeration of reasons, and maybe some personal issues as well. I've enjoyed some of the changes Kage instituted since his arrival, particularly the reduced emphasis on story ballets, but in the past year that seemed to be changing back to what it was...a bit disappointing... And there have been quite a few dancers that I've been very sorry to see leave in the past four years....
Regarding financial issues: There has definitely been a big reduction in the number of dancers/performances/etc. in the past few years, probably to some degree reflecting the changing economy. We're about one to two years behind everyone else in that area, and just recently began noticing the effects of a strong recovery. On the other hand, in the past couple years, the company became unionized and there is a junior/trainee company.
I can't help but think they already have somebody in mind....