I have "The Dancer". I love the footage of the star of the movie, Katja Björner, but am frustrated by the way some of it was filmed. The filmmaker seems to be pursuing her own interest of trying artsy effects, so what we, the viewers, see is closeups of whirling hair instead of the dynamic turns ā la seconde being performed, or extreme closeups of feet and legs in various stages of warmup before class, which, while occasionally interesting to see, can become too much too quickly. There were so many times I wanted to stay the videographer's camera so I could see more of Björner and the other dancers, but she wanted to move on to something less interesting to me. Being that the filmaker is also a choreographer, I would have expected more sensitivity to the balletomane's needs. Maybe she knew she had to appeal to a wider audience in order to sell the film?
The film has a wonderful (if overly long) sequence of the making of pointe shoes. That whole section could stand alone as a documentary. It is intensive and beautiful and would answer anyone's questions about how pointe shoes are made. As a separate unit, I love it.
There is also a great section where the Bolshoi's Valentina Savina coaches Björner. A gem of a film clip!
Katja Björner is such a lovely, strong dancer. I'm surprised she has never made principal.