Last night's preview of the Washington Ballet's 'Noche Latina!' at the Kennedy Center was an all-around entertaining evening. Warmth was in abundance. Fantastic Latin music, with bands/groups representing several countries. A packed house. Even "La Bamba" was played, to the delight of all spectators! Arriba va!Baila bamba! Just one slight, teeny-tiny problem: not much ballet on view. Details, details.
The show began at 8pm & ended at 10 pm. The first pointe shoe came into view at about, oh, 9:35 pm, in the form of the last work on the program, Webre's fine opus & tribute to his Cuban heritage, "Juanita y Alicia." It followed, if memory serves, a mariachi orchestra, a Carib-Central American jarape band with solo harpist, a Paul Taylor modern tango work, an Andean orchestra, and a bland Nacho Duato work with dancers in nightie-sleepwear prancing in front of a greenish flat that's supposed to represent the Amazon Forest. Within that forest was one very great dance of distinction -- Maki Onuki's gut-wrenching solo, full of clear, sharp jabbing movements -- plus some fabulous leaping by Jason Hartley.
So "Arriba!" to Noche Latina. Just not a "noche" at the ballet.
I'd love to know when, aside from Nutcracker, the Washington Ballet will give us a program that relies just on ballet? Not on 'other arts' gimmicks such as Karen Akers cabaret singing or mariachi bands or Sweet Honey in the Rock or the next one (Carmina Burana in late March) with the Washington Chorus sharing the stage...but only ballet? No disrespect is intended towards those vocalists and instrumentalists. However, I remember when Washington Ballet used to present only ballet -- maybe not always the best ballets but often some wonderful works -- but pure ballet, from curtain up to curtain down. If they don't watch out, they'll soon become The Washington Variety Show, rather than Washington Ballet.
In sum: "Arriba!"

As a general night of fun and warmth, 'Noche Latina!' is a sure winner.