Thanks, Dale, the article really covers a lot of ground.
On being coached by Gelsey Kirkland for Princess Florine and some of the Fairy Variations:
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After I’d already performed it, she scheduled an extra half hour and worked on it more. ... during the rehearsal I realized it is possible to get more out of something and to keep striving to get and to not just be content. ... For the Fairy of Joy, she made me put much more energy into it, in a way that wasn’t just fake energy, but a reason to be joyful. Like you have this excitement because you can’t wait to tell somebody something. She kept saying, “Spread good news.” And with Charity, during one rehearsal, I was moving back on the diagonal, and she said, “You can give so much more. What do you want to say to people from inside?” She didn’t even give me anything specific, but I literally almost started crying right there. It makes me connect with a part of myself and my life that I can’t really change in reality.
On still being in the corps de ballet:
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... if I think about it too much, it will be detrimental because I do kind of stress out. It just makes my dancing worse because I get too tense. I feel like I have to prove something and it’s definitely not what I want my dancing to be about. If I stay in the corps forever and I don’t lose that quality of peace and that willingness to do something because I love it, that would be enough for me.
On her coach, Irina Kolpakova:
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I love Irina. She has so much energy, she’s so inspiring and enthusiastic and when she demonstrates things, she has such innocence and a sweet joy. It makes you less tired. ... She was giving me relationship advice in rehearsal; she was talking to me about my wedding [She flashes her engagement ring]. I’m getting married to Luis Ribagorda, a boy in the corps. He’s from Madrid. I was telling her that my wedding was going to be in a year in August and she asked, “Why wait so long?” We decided that we’ll do it in December.
Congratulations, Mr. Ribagorda!