QUOTE (FauxPas @ May 31 2009, 09:17 PM)

It is a shame that the Kirov has shown no interest in doing this as they have more of the original materials in their archives. I know that the Bolshoi would have had a version of "Esmeralda" in its repertory at least until the 1920's so they would have a musical score, etc. So I suppose it is the Drigo score? I guess the Adam/Perrot version has not survived in any form. I wonder if Doug Fullington will be on hand to translate the Stepanov notation from the Harvard/Sergeyev collection? That would be best. It is wonderful news.
Esmeralda was first staged at the Bolshoi by Jean Perrot in 1850 using the revised Pugni score and was revived by Mendez in 1890 after Petipa. It was last re-staged at the Bolshoi in 1926 by Tikhomirov with Yekaterina Geltser as Esmeralda and the score revised by Rheinhold Gliere which was to used by the Kirov in their 1935 production staged by Vaganova which was revived in that theatre in 1948.
Esmeralda was an extremely popular ballet in the soviet period being staged across that union in something like twenty plus different productions.
The Mikhailovsky Ballet production is the latest Russian production I have found and dates from 1981 being called a revival of Petipa's restaging of 1899. There is to be found a filmed recording of excerpts of this Esmeralda production which was staged in part by Tatiana Vecheslova who had appreared in the Vaganova production and although the dancing is variable, one can see the remnants of a Romantic ballet.
As you say, the Sergeyev notation of the Petipa production exists which was staged with the Drigo revised score and as Vikharev has been mentioned in respect of this production perhaps it is being referred to.