Thank you! I'm glad you appreciated it. I must say that when I first saw the video, I was well into the book and used to Danish schooling, but I thought, "If I had watched this five years ago, I wouldn't have gotten it." I've never seen anyone dance that variation with as fluid arm positions -- the counterpoint of the arms and the legs. (I interviewed Simone about this and she said the space was tiny and the floor freshly waxed, so they were being very, very careful.)
Unfortunately, there aren't any videos of Kronstam, except for a few, made at the end of his career, from Danish television, and mostly in modern roles -- Aureole (the Taylor role), The Moor's Friend in The Moor's Pavane -- or classical roles, like the Prince in Nutcracker and Ove in Folk Tale when he is past his prime and much injured. There was a lot more on British TV -- one I would love to see is excerpts from "La Sylphide" with Simone that was danced to the original score. The revised score was unavalable, and the Theatre gave them the old one, lying in a desk drawer. Kronstam said that when the conductor saw it he could hardly contain his excitement and enjoyed working with it, and the score did sound different. That's a story that didn't fit in the book, so I post it here

There's also an odd video -- it won prizes at European film festivals, but is not to American tastes, I've found -- of Kronstam in 1990, as a coach, working on "Giselle" that shows a lot about his abilities as a coach, as well as the Danish tradition. Considering what happened to that tradition shortly after the film was made, it's a very valuable historical record. It's called "Of Dreams and Discipline" by Anne Wivel. It may be commercially available in Denmark; it's not over here.
Again, thank you, atm, for noticing it. Although there are no videos, there are 155 photos in the book as a consolation